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| KiT |
Tradition
is a tricky beast. There are those who would leave it as a dusty, living museum
exhibit. Then there are others who see further, into thepossibility of
tradition, a line that runs through history all the way to the present. They're
the ones who respect the past but aren't going to be hidebound by it, who make
it a very vital part of now. People like KiT, who've transformed the old tambú
music of Curaçao into the 21st-century phenomenon of
Tambutronic (Jiga Musica;
US release: January 14, 2014).
Then meets
now via hard kicks and hooky synths, the gritty good times that spawned bass
music's tropical, global offshoots, from baile funk to moombahton. Taking up
the sounds that evolved in Dutch clubs and mashing them effortlessly with the
group's percussive, evocative Caribbean roots, KiT proves how easily
traditional grooves can move in new, unexpected ways.
Though as
fresh as M.I.A. or Major Lazer, KiT's music began long ago and far away. On
Curaçao, an island in the Caribbean close to the coast of Venezuela, history
remains very much alive. Originally home to the Arawak Indians, it was
conquered by the Spanish in 1499 then became Dutch in 1634. But in many ways
it's almost an outpost of Africa, a first stop for slave ships on their journey
to South America, and the influence of another continent is still powerful. For
centuries, the people have celebrated with drums and singing, styles like seú,
muzik di zumbi (music of the spirits), and above all, tambú.
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| KiT |
When Roël
Calister, a Curaçao-born percussionist who moved to the Netherlands, began his
career, it was with the traditional music of his homeland, everything he'd
learned as he grew up. The band he founded in 2005, KiT, played and sang
acoustically. It even infused the material he composed. But in 2010 a sea
change happened, following a change in band membership.
"Like
a lot of people, we were listening to hip-hop, to dance music," Calister
recalls. "We started experimenting with beats and electronics to give our
music the feel that fascinated us in European electronic music, music we really
loved. We released an EP and the style we call Tambutronic was born."
Since then KiT have evolved and refined their music. They've introduced
Tambutronic music to several continents, including prestigious gigs at Kennedy
Center and Lincoln Center, and added a new singer, Diamanta, to make them into
a five-piece. And, Calister says, "We knew it was time to make a proper
album."
For all its
contemporary sound, though, the music of KiT is very solidly based in tradition.
"On
'La Señora' you hear a very old style of singing from Curaçao. We've added
bleeps and synths to give a modern contrast to that," Calister observes.
"We wanted to bring it all into the 21st century."
"But I
also wanted to give glimpses of where it all came from. 'Zunta Zunta' is
untouched, that's how the music often still sounds. It's a work song from the
west side of the island. The last track, 'Bool' is traditional tambú with solo
percussion on top."
And they
can jump from the tradition right onto the dance floor without missing a beat.
Tambutronic is the music of celebration, all the sweat and joy of Carnival on a
disc. And nowhere is that more apparent than on the opening,
"Lightswitch," packed with muscle and percussive punch.
"We
added Carnival drums to that," Calister says with a smile. "Caribbean
street drums to give that feel. And then we made it modern." That updating
extends to "Maria Ta Jora," where the band took a sample from an old
seúsong and constructed something completely new around it. The past dancing
side by side with the present.
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| KiT - Jackhammer |
And
Tambutronic has proved to be very popular in Curaçao, where KiT have scored
several major hits.
"The
people there are very proud that we took the step to give the old music a new
look," Calister says. "We stay true to the roots but we also give the
island its own voice in the modern world." Older folk, familiar with the
tradition, hear that in the music while youngsters who've grown up on American
hip-hop, R & B and the global flavor of dance music, hear their own world
reflected at them. And that's an important way to keeping the past alive and
strong.
Live, KiT
are a non-stop Carnival, a riot of beats and rhythms that take the audience
deep into the Caribbean. Above all, though, it's obvious that the musicians
enjoying playing the music and the live percussion thunders through the air.
"We
have fun," says Calister, "and that's the key."
Tambutronic:
where Curaçao's past dances with its future and takes on the world.
Following
the release of Tambutronic, Kuenta I Tambú will be touring the US in June and
July 2014.
KiT,
Tambutronic (Jiga Musica): Tour Schedule
01/12/2014,
Sun
New York,
NY
Webster
Hall (globalFEST), 125 E 11th Street
Show: TBA
06/29/2014,
Sun
Los
Angeles, CA
Day of the
Ancestors: Festival of Masks, 4343 Leimert Blvd.
[from www.brodwayworld.com, December 6, 2013]
